This morning we were out of the hotel by 8:30 and on our way down one of the small and narrow streets toward the workshop of
Federico Fiora, a Cremonese violin-maker.
It was not the home of Antonio Stradivari as I had thought it would be, but the techniques used by Mr. Fiora, like most of the violin-makers today and for many years past, are exactly the same as those used by the three great violin-making families of the 17th and 18th centuries: the Amati, the Guarnieri and the Stradivari. Mr. Fiora took us through all the steps necessary in the crafting one of these fine instruments, describing the selection and methods for forming and shaping the maple (from the former Yugoslavia), spruce (from the Dolomite region of Northern Italy), and ebony (Africa). When the description of the process was completed and all out questions had been answered, one of our own -- Katherine Evans -- was invited to play one of Federico Fiora's hand-made violins!
After leaving the workshop, we made our way back up the street to the cobbled, central piazza of Cremona which is surrounded by medieval buildings and dominated, of course, by the large church and clock tower. The clock, we were told, was built in the 12th century and is still working today; someone still winds it everyday. Across the square from the clock tower was the baptistry, an octagonal building also dating back to the 12th century. To walk inside one had to pay an admission fee. But our guide offered some vocal music instead of a monetary payment, and her offer was accepted. Have a listen and a look for yourself.
Inside the church, or Duomo, we sat down to listen to our guide as she explained the meanings behind the frescos on the walls that surrounded us. Unlike da Vinci's mural of the last supper, which was painted on a dry wall and therefore has to be restored fairly often, the more lasting Renaissance wall-artwork type is the fresco, which actually means "fresh," since the artist would paint into wet plaster thereby setting the design and colors to dry and set along with the actual wall itself.
A visit to Cremona would not be complete if one didn't get a chance to see and hear an authentic Stradivari violin being played. Inside the municipal hall we were led through a small gallery which housed violins dating from 1655 through 1715, violins made by Amati, Guarnieri, and Stradivari. According to our guide, each of these rare instruments must be played on a regular basis in order to maintain their 'health' and thus keep them 'alive.' So, a local violinist has been hired to come each day to play and demonstrate an instrument for museum patrons. (Unfortunately we couldn't get Katherine an opportunity to play one of these!)

Everyone was on his or her own for lunch and we were expected to meet in the lobby and ready to walk to the Church of Sant' Agata (built in 1077) for rehearsal.
Dinner followed afterward and our concert began as scheduled at 9 PM. Two local choirs performed before us, each an extended piece of their own choosing -- the local church choir (perhaps the Choir of Sant' Agata), and a faculty choir from a local music school. Both were very fine. By the time we performed the church was almost completely filled with what had to be close to 400 or more people on hand to listen to the Select Chorus.
Exceptional would be a good adjective to describe the performance tonight. It seemed to me that every time they sang the music, from when I first sat down with them on January 25, through the kick-off concert on February 12, to the Scuola Grande rehearsal and performances in Venice, and finally here in Cremona, the sound quality, dynamic range and overall tonal coloring and interpretation would grow exponentially. Mr. Smith truly selected an eclectic and perfectly rounded program to feature these high school students' voices, and the applause they received at each performance, particularly tonight's was proof enough as to how successful this trip truly was!

As I attempt with words to round off this fantastic week I've had, not only spending time with my students in Italy, going on long walking tours and accompanying their beautiful voices in rehearsals and performances, or even standing with some of them in the village square late at night just chatting like old friends, I am struck again at how fortunate I truly am. I remember them as 5th graders, some of them as kindergarteners and 1st graders at day camp; I remember them as Troubadours, always giving me far more than I could ever expect in both rehearsals and performances. But after this trip I'll always remember them in a new and special way. For a week we existed together, far away from our regular stomping grounds, and I've seen your children living together, helping each other out when help was needed and never asking for something in return. I've witnessed their sense of responsibility, how they always arrived at our meeting spots, in unfamiliar and sometimes unusual cities and towns, sometimes after many hours of having been on their own, always on time and with smiles on their faces and laughter on their lips. They have grown a lot since middle school, and it's been a true joy to spend this time with them once again.
Thanks go to Mr. Smith for having me aboard, and special thanks go to you all for entrusting me with your children's safety and well being.
Everyone's asleep now… we're to expect our wake-up calls at 4:45 AM, have breakfast at 5:30, and be on the bus rolling away from Cremona at 6:00 AM in order to make our flight out of Milan. We'll see you in Ardsley tomorrow afternoon!
~ Frank